
Audio Visual Installation
In Zen temples, dragons are guardian gods and are considered to be creatures that bring rain of Buddhist Dharma to the monks. In this work, I challenge to depict a “dragon that brings rain of Buddhism” in a modern way by using nonlinear physical systems, digital imaging technology, and brain science-based sound. This work, “Dragon Rain” will be installed as a counterpart to Junsaku Koizumi’s “Cloud Dragon” painted on the ceiling of the Dharma Hall of Kenchoji Temple. Another challenge is to submit a unique type of inheritance in the 2020s of the ancient Japanese aesthetic of “kasane”, “utsushi”, and “nazorae”. What does it mean to depict Junsaku Koizumi’s “Cloud Dragon” in Akira Wakita’s own way? After a thorough investigation, I decided that it was not simply a matter of processing a digital scan of Koizumi’s painting, but to depict the phenomena and principles behind the act of looking at the dragons, the presence of the scene. Also, as an homage to Koizumi’s technique, I projected white particles onto the jet-black floor of the Dharma Hall of Kenchoji Temple and applied layer upon layer of white particles, aiming to create colors, shapes, and movements that are neither simply white nor simply grainy, but have depth and breadth. We may see a tripartite conversation across science, art, and religion in the phenomenon of a nonlinear dynamical system creating a dragon. The shift from “emptiness to completeness and from completeness to emptiness” created by a simple system resonates with the world of Zen, where all is one and one is all*. *Some exhibits in this event feature flashing lights. If you have experienced photosensitivity, seizures, loss of consciousness, or epilepsy, please consult a medical professional before attending.

Akira Wakita
He creates works that update the way we see the world by visualizing, sonifying, and materializing forces that are present but imperceptible to us. Major exhibitions include “Over Billions of Years” (Moerenuma Park / Sapporo International Art Festival, 2024), “For Alan and Keith” (Nakamura Keith Haring Museum / Hokuto Art Program, 2022), and “Akira Wakita - Photons” (Kiyoharu Art Colony, Museum of the Light, 2018), 8K video and 5.1ch sound installation with musician Tetsuya Komuro (Ars Electronica Festival, 2016) and live performance (MUTEK / RedBull Music Festival, 2017), “NEW SYNERGETICS - NISSAN LEAF × AKIRA WAKITA”, a video work integrated with Nissan LEAF (NISSAN CROSSING, 2017). He is a professor at the Faculty of Environment and Information Studies, Keio University. Ph.D. (Media and Governance). WEBSITE